Youã¢â‚¬â„¢ll Never Eat Lunch in This Town Again
 Front cover of the start edition (hardcover, Random House) | |
| Author | Julia Phillips |
|---|---|
| Country | United States |
| Language | English |
| Genre | Autobiography |
| Published | 1991 (Random Firm) |
| Pages | 573 |
| ISBN | 978-0-394-57574-2 |
| OCLC | 21524019 |
| Dewey Decimal | 791.43/0232/092 B xx |
| LC Class | PN1998.iii.P47 A3 1990 |
Y'all'll Never Consume Dejeuner in This Town Again is an autobiography by Julia Phillips, detailing her career equally a flick producer and disclosing the power games and debauchery of New Hollywood in the 1970s and 1980s. It was first published in 1991 and became an immediate cause célèbre and bestseller. The book was reissued in 2002 after the writer'south death.
Background [edit]
In partnership with her husband Michael, Julia Phillips was i of the most successful pic producers in Hollywood during the 1970s. Their 2d picture show, The Sting, grossed almost $160 one thousand thousand and won seven University Awards, making Julia the kickoff woman to win a Best Picture Oscar.[one] [2] Their third film, Taxi Commuter, brought them a second Oscar nomination and won the Palme d'Or in 1976. In 1977 they co-produced their most financially successful movie, Steven Spielberg'due south $300 million-grossing Shut Encounters of the Third Kind.
However, Julia had long indulged in a self-destructive lifestyle of excessive drug consumption, and information technology had begun to affect her work. François Truffaut, one of French cinema's about iconic directors and a star of Shut Encounters (playing "Claude Lacombe", a French authorities scientist in charge of UFO-related activities in the The states), blamed her for that moving-picture show's budget difficulties, and she was eventually fired during mail service-production because of her cocaine dependence.[iii] [4]
Phillips, past now divorced, spent the following years on a downward spiral which included, by her own account, spending $120,000 on cocaine,[2] [5] before entering therapy to recover from her habit.[6] Then, in 1988, having been out of Hollywood for eleven years, she sold all her assets to produce The Vanquish,[six] near a child in a tough neighbourhood trying to teach verse to local gangs. It was a critical and commercial disaster, grossing less than $5,000 at the box office,[7] and Phillips turned to penning her scathing memoir to escape her financial difficulties.[2] [8]
Synopsis [edit]
The volume begins past briefly introducing the reader to Phillips in 1989, before speedily travelling dorsum to her babyhood in 1940s Brooklyn.[9] It then covers her early on life and first successes in the film industry: she and Michael earned $100,000 from their debut feature, Steelyard Blues, moved to Malibu, California, and had a daughter, Kate.[8] The most notorious chapters follow equally Phillips enjoys her greatest career successes, perhaps nigh infamously when she recalls the amalgam of drugs she was under the influence of on the night she won her Oscar ("a diet pill, a small amount of coke, 2 joints, six halves of Valium, and a glass and a one-half of wine").[two] [8] [10] She too reveals the personal peccadillos and vices of the biggest Hollywood A-listers of the twenty-four hours, including Steven Spielberg, Martin Scorsese, Richard Dreyfuss, Goldie Hawn, and David Geffen. Many of these people were pivotal figures in the emergence of New Hollywood in the 1960s and '70s, but Phillips disparagingly refers to them every bit "a rogues' gallery of nerds".[6] [11] Afterward episodes in her life, including freebasing, and her abusive relationship with a tearing drug addict which caused her to miss her ain mother'south funeral, are too discussed candidly.[8]
"No one e'er claimed that [Phillips] had got Hollywood wrong in her book. In which case, you have to give a piffling more than credence to the theory that Hollywood is prepared to let the club exist run by raving egotists, indictable rascals, desperate addicts of i thing or several others, betrayers, connivers, hypocrites, and foul-mouthed swine. So long as they are guys."
David Thomson, The Independent, 13 January 2002.[12]
Most meaning, from Phillips' ain point of view, is her exposé of the "Boys' Club" in the higher echelons of Hollywood, where she claimed it was her gender that led to her ultimate ostracism.[eleven] "If I had been a homo, they would have closed ranks effectually me", she said, referring to her drug addiction. "They hated the woman thing. And I wasn't even regarded as a woman, I was a girl."[five] Writing about her in The Independent in 2002, film critic David Thomson expressed Phillips' attitude as: "you [Hollywood] guys don't have women seriously; yous similar us around... [simply] nosotros aren't allowed to exist players".[12] Those same few men, like "Valley viper"[13] Mike Ovitz who headed the Artistic Artists Agency were, in her eyes, responsible for a qualitative reject in standards and the increasing banality of movies since the 1970s.[4] [14]
Reception [edit]
On its release most critics agreed that the book was both scandalous and career-ending. (Even with a quarter of the 1,000-page original manuscript excised,[8] it took lawyers at Random House fourteen months to approve information technology for publication.[2] [6]) Lewis Cole, in The Nation, described it every bit being "[not] written but spat out, a breakneck, formless performance piece...propelled by spite and vanity".[15] Newsweek's review called it a "573-page key scream",[16] while one Hollywood producer said it was "the longest suicide note in history".[6] In the 2003 documentary version of Easy Riders, Raging Bulls, based on Peter Biskind'southward 1998 anecdotal history of New Hollywood, Richard Dreyfuss recalled his initial fury at Phillips' revelations, before more than circumspectly listening to "a little vox inside my head [proverb] 'Richard, Richard, the truth was then much worse'."[17] Despite Phillips' criticisms of Steven Spielberg in the book, Spielberg nonetheless invited her to a 1997 screening of Close Encounters of the Third Kind equally a mode of "keeping his friends close and his enemies closer."[18] Rapper Tupac Shakur misquotes the title of the book in a Vibe interview in 1996, stating briefly that it was ane of the books he read recently. "Yous'll Never Work Once more in Hollywood, whatever that is that they're talking about, all the people that slept together." [19]
After Phillips' decease from cancer in 2002 the book was reissued in paperback by Faber and Faber,[20] and gained renewed attention. Tim Appelo wrote in his Salon.com tribute that it was "mordant, merciless, [and] outdid Capote in shrieking truth to decadent power",[21] while David Thomson of The Independent praised it as "compulsive, hilarious amusement".[12] [ expressionless link ]
Commercially, Phillips' memoir became an enormous success. It rapidly moved to the top of the New York Times Non Fiction Best Seller list and stayed at No. 1 for xiii weeks.[22] [23] Additionally, several prominent Los Angeles bookstore owners reported information technology to be the fastest-selling book they had ever seen.[8] [thirteen] But Phillips was excoriated by Hollywood, and her autobiography's publication price her the adventure to adapt Anne Rice's Interview with a Vampire with David Geffen.[5] [8] [24] Furthermore, in an example of life imitating fine art, pre-eminent Los Angeles eating house Morton's fulfilled the book's titular prediction by declining her hereafter patronage.[ii] [5]
Shortly before her death, when asked if she had been besides cruel in her writing, Phillips replied, "We all have our standards. People behaved in an ugly and despicable fashion towards me. I felt no constraints. Nothing I did in my volume is as mean equally whatever of the people I wrote about."[two] [6] She was similarly unrepentant most her subsequent expatriation, saying, "I wasn't a pariah because I was a drug-fond, alcoholic, rotten person and not a practiced mother. I was a pariah because I hit them with a harsh, fluorescent light and rendered them as contemptible as they truly are."[2] [vi]
References [edit]
- ^ "Oscar-winner Phillips dies". BBC. January iii, 2002.
- ^ a b c d east f 1000 h Weinraub, Bernard (January 3, 2002). "Julia Phillips, 57, Producer Who Assailed Hollywood, Dies". The New York Times.
- ^ McBride, Joseph (1997). Steven Spielberg: A Biography . New York City: Simon & Schuster. pp. 528. ISBN978-0-684-81167-3.
- ^ a b Hodgman, George (March 22, 1991). "You'll Never Eat Luncheon in This Boondocks Again – Book Review". Entertainment Weekly.
- ^ a b c d Friedman, Roger (April 12, 1991). "Without Reservations". Amusement Weekly (61).
- ^ a b c d e f grand Vallance, Tom (January 5, 2002). "Julia Phillips – Obituaries, News". The Independent. UK. Archived from the original on February 4, 2011. Retrieved September 19, 2017.
- ^ "The Shell (1988)". Yahoo! Movies. Archived from the original on March 6, 2007.
- ^ a b c d e f thou Wadler, Joyce (March eighteen, 1991). "A Hollywood Outcast Treats the Stars to An Acid-Dip Memoir". People magazine. 35 (10).
- ^ Turner, Caroline (December 31, 2002). "Review: Yous'll Never Eat Tiffin in this Town Again". M2 Best Books.
- ^ "Aureate fever: Oscar night – and how to enjoy information technology". The Guardian. United kingdom of great britain and northern ireland. March 17, 2000.
- ^ a b Benatar, Giselle (November sixteen, 1990). "'Lunch' Dish". Amusement Weekly (xl).
- ^ a b c Thomson, David (January 13, 2002). "Film Studies: Lunch will never be the same in that town once more". The Independent. Uk. Archived from the original on June 14, 2010.
- ^ a b Rohter, Larry (March fourteen, 1991). "Hollywood Memoir Tells All, And Many Don't Want to Hear". The New York Times.
- ^ Bach, Steven (March 17, 1991). "Hollywood Chainsaw Massacre". The New York Times.
- ^ Cole, Lewis (June 1991). "You'll Never Eat Lunch in this Town Again (book reviews)". The Nation.
- ^ Foote, Donna (March 25, 1991). "The Bad And Not So Beautiful". Newsweek.
- ^ Ansen, David (May 8, 2003). "That '70s Moving-picture show". Newsweek.
- ^ Dubner, Stephen J. "Steven the Adept".
- ^ "Tupac Shakur: The Lost VIBE Interview (May '96)". Vibe.com.
- ^ Yous'll Never Eat Lunch in This Boondocks Again (Paperback). ASIN 0571216234.
- ^ Appelo, Tim (January 17, 2002). "Julia Phillips, queen of the dark". Salon.com. Archived from the original on October 27, 2008.
- ^ "Adult New York Times Best Seller Lists for April 7, 1991" (.pdf). Hawes Publications.
- ^ "Developed New York Times Best Seller Lists for June 23, 1991" (.pdf). Hawes Publications.
- ^ Jacobs, Alexandra (June 7, 1996). "Truth and Consequences". Entertainment Weekly (330).
Source: https://en.wikipedia.org/wiki/You%27ll_Never_Eat_Lunch_in_This_Town_Again
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